Zoey Deutch

Zoey Deutch

Zoey Deutch

Natalie Portman

Jenna Ortega

Mila Kunis

Alison Brie

Kate Hudson

Ana de Armas

Emily Stone

Elisha Cuthbert

Dua Lipa

Scarlett Johansson

Emma Watson as Belle

Olivia Rodrigo

Anna Kendrick

Elizabeth Olsen

Ana de armas

Sydney Sweeney

Red rebel portrait category
Photograph: John Lynch


Sadie Sink

Elle Fanning

Alexandra Daddario

Jenna Ortega

-: Sternenfrmige Lcher in schwarzen Karton. Blitz wird durch die Lcher geschossen und lsst die Punkte auf der Haut des s erscheinen.

Ana de Armas

greift an!
- in .
Models: Captaincrunchsportspeople
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Makeup: Haircafeperasevda
#300

Olivia Rodrigo

Barbara Palvin

Ana De Armas

Dua Lipa

McKenna Grace

Emma Watson

Hailee Steinfeld

Scarlett Johansson

Mckenna Grace

Scarlett Johansson

Scarlett Johansson

Commission for a family friend. The colour palette was a challenge: purple on green. I think I pulled it off, though the medium did not quite allow me to do as vibrant a purple as I maybe could have, to further the challenge. With paint or paint pens, I think I could do better these days.

Madelaine Petsch

Olivia Cooke

Beletage: Ansichten eines Fensterputzers - A book featuring portrait photographs of people in their homes. These people are clients of Lars Nickel, a photographer who earns his living cleaning windows.
Lars Nickel does not choose the people he photographs. You hire the window cleaner and get a photographer thrown in for free. This is what creates the wonderful serenity and normality of these photographs. They show the residents and what lies behind their front doors. Pictures, accessories, furniture, carpets all these things naturally tell us something about the people who surround themselves with them. But there is no particular agenda behind this, just a little curiosity. The normal curiosity about one's neighbours. But what looks so normal in the pictures does not happen by itself. It is precisely the seemingly simple things that require great experience and photographic skill. Light, decorum, linearity, the technical aspects. Above all, however, the eye contact between the photographer and the subjects, the agreement between the two not to harm each other. This can certainly be understood as a kind of counter-programme to the current desire for visual revelation. In any case, I am not aware of any comparable project in contemporary portrait photography.
Matthias Flgge