Zoey Deutch
Zoey Deutch
Natalie Portman
Jenna Ortega
Mila Kunis
Alison Brie
Kate Hudson
Ana de Armas
Emily Stone
Elisha Cuthbert
Dua Lipa
Scarlett Johansson
Emma Watson as Belle
Olivia Rodrigo
Anna Kendrick
Elizabeth Olsen
Ana de armas
Sydney Sweeney
Red rebel portrait category
Photograph: John Lynch
Sadie Sink
Elle Fanning
Alexandra Daddario
Jenna Ortega
-: Sternenfrmige Lcher in schwarzen Karton. Blitz wird durch die Lcher geschossen und lsst die Punkte auf der Haut des s erscheinen.Ana de Armas
greift an!- in .
Models: Captaincrunchsportspeople
e:
Makeup: Haircafeperasevda
#300
Olivia Rodrigo
Barbara Palvin
Ana De Armas
Dua Lipa
McKenna Grace
Emma Watson
Hailee Steinfeld
Scarlett Johansson
Mckenna Grace
Scarlett Johansson
Scarlett Johansson
Commission for a family friend. The colour palette was a challenge: purple on green. I think I pulled it off, though the medium did not quite allow me to do as vibrant a purple as I maybe could have, to further the challenge. With paint or paint pens, I think I could do better these days.
Madelaine Petsch
Olivia Cooke
Beletage: Ansichten eines Fensterputzers - A book featuring portrait photographs of people in their homes. These people are clients of Lars Nickel, a photographer who earns his living cleaning windows.Lars Nickel does not choose the people he photographs. You hire the window cleaner and get a photographer thrown in for free. This is what creates the wonderful serenity and normality of these photographs. They show the residents and what lies behind their front doors. Pictures, accessories, furniture, carpets all these things naturally tell us something about the people who surround themselves with them. But there is no particular agenda behind this, just a little curiosity. The normal curiosity about one's neighbours. But what looks so normal in the pictures does not happen by itself. It is precisely the seemingly simple things that require great experience and photographic skill. Light, decorum, linearity, the technical aspects. Above all, however, the eye contact between the photographer and the subjects, the agreement between the two not to harm each other. This can certainly be understood as a kind of counter-programme to the current desire for visual revelation. In any case, I am not aware of any comparable project in contemporary portrait photography.
Matthias Flgge